Blow – Beyoncé


I love your face

You love the taste

That sugar babe, it melts away

I kiss you and you lick your lips, I kiss you and you lick your lips

You like it wet and so do I, you like it wet and so do I

I know you never waste a drip, I know you never waste a drip

I wonder how it feels sometimes

Must be good to you

Keep me coming, keep me going, keep me coming, keep me going

Keep me humming, keep me moaning, keep me humming, keep me moaning

Don’t stop loving ’til the morning, don’t stop loving ’til the morning

Don’t stop screaming, freaking, blowing

Can you eat my skittles?

It’s the sweetest in the middle (Yeah)

Pink is the flavor

Solve the riddle (Yeah)

I’m-a lean back

Don’t worry, it’s nothing major

Make sure you clean that

It’s the only way to get the

Flavor

When you’re thirsty and need love

I give it up ’til I’m empty babe

Must be good to you

If you’re lonely in your bed, fill it up to the top

Must be good to you

Keep me coming, keep me going, keep me coming, keep me going

Keep me humming, keep me moaning, keep me humming, keep me moaning

Don’t stop loving ’til the morning, don’t stop loving ’til the morning

Don’t stop screaming, freaking, blowing

Can you eat my skittles?

It’s the sweetest in the middle (yeah)

Pink is the flavor

Solve the riddle (yeah)

I’m-a lean back

Don’t worry, it’s nothing major

Make sure you clean that

It’s the only way to get the

Flavor

I’m about to get into this, girls

This is for all the grown women out there

I can’t wait ’til I get home so you can tear that cherry out

Turn that cherry out, turn that cherry out

I can’t wait ’til I get home so you can tear that cherry out

Turn that cherry out, turn that cherry out

I want you to

Turn that cherry out, turn that cherry out

I want you to

Turn that cherry out, turn that cherry out

I want you to

Turn that cherry out, turn that cherry out

I want you to

Turn that cherry out, turn that cherry out

Ooh, I’ve had a naughty thought today, baby

Every time I close my eyes

Ooh, get a glimpse of this candy paint

Don’t slip off when it drip off on top of your ride

When you see it here, lift it up then toss it babe

I know everything you want

I’m-a show you how I stroke (stroke it)

Bring ya work home on top of me

I’m-a let you be the, be the boss of me

I know everything you want

Give me that daddy long stroke

I can’t wait ’til I get home so you can tear that cherry out

Turn that cherry out, turn that cherry out

I can’t wait ’til I get home so you can tear that cherry out

Turn that cherry out, turn that cherry out

I want you to

Turn that cherry out, turn that cherry out

I want you to

Turn that cherry out, turn that cherry out

I want you to

Turn that cherry out, turn that cherry out

I want you to

Turn that cherry out, turn that cherry out

Je ne sais quoi

Cherie, m vle w

Awsè a se nèt al kole !

Keep me coming, keep me going, keep me coming, keep me going

Keep me humming, keep me moaning, keep me humming, keep me moaning

Don’t stop loving ’til the morning, don’t stop loving ’til the morning

Don’t stop screaming, freaking, blowing

Can you eat my skittles?

It’s the sweetest in the middle (yeah)

Pink is the flavor

Solve the riddle (yeah)

Sensual Symbolism and Empowerment

“Blow” by Beyoncé is a bold celebration of sexuality, pleasure, and confidence. The lyrics are drenched in playful innuendo, using candy metaphors—such as “skittles” and “cherry”—to allude to intimate experiences. Beyoncé’s delivery radiates self-assuredness, inviting listeners to embrace their own desires without shame. The recurring motif of taste and flavor highlights the joys of mutual attraction and the importance of giving and receiving pleasure within a relationship. Ultimately, “Blow” is an unapologetic ode to intimacy and feminine power, wrapped in a fun, disco-inspired package.

Song Credits

“Blow” is performed by Beyoncé and appears on her self-titled album released in 2013. The song was written by Beyoncé Knowles, Pharrell Williams, Timbaland, James Fauntleroy, and Justin Timberlake. It was released under the Parkwood Entertainment and Columbia Records labels.


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