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Ayy, ayy, ayy, ayy

(Ayy) Hi, it’s me, you’re all in danger

(Ayy) Never get invited ’cause I’m such a hater

(Ayy) Got my finger on the detonator

(Ayy) Crazy girl shit, gonna go Spring Breakers

(Every time, I—, uh)

(Ayy) Every time, I make it so outrageous

(Ayy) Always gonna lose to people playin’ safer

(Ayy) Four, three, two, one, see you later

(Ayy) Crazy girl shit, gonna go Spring Breakers

(Ayy) Gonna, gonna, gonna, gonna

(Ayy) Gonna go Spring Breakers

(Ayy) Gonna, gonna, gonna, gonna

(Ayy) Gonna go Spring Breakers

Ayy, hey, uh, hey

Ayy, hey, hey

Vroom, vroom, vroom, vroom, in a big pink truck

February 10th, and I’m gonna pull up

Hey, Staples Center, what the fuck is up?

Yeah, I’m parked outside watching all the girls strut

Got the custom on, hit the worst dressed list

Yeah, you better not slide, not slip, not trip

‘Cause I poured a load of gasoline on the carpet

Lit a cigarette, took a drag, then I just flicked it

Place went boom, boom, boom, boom, clap

And I just laughed when the bodies went splat

Yeah, I knew I’d end up with my hands behind my back

In a police car, blue and red sirens

(Ayy) All flash, flash, flash, flash, lights and cameras everywhere

(Ayy) Now I’m on the news with the DUI stare

(Ayy) Who cares?

(Ayy) Just put me on the platform, turn the microphone on

(Ayy) There’s no one I wanna thank out there, yeah

(Ayy) Hi, it’s me, you’re all in danger

(Ayy) Never get invited ’cause I’m such a hater

(Ayy) Got my finger on the detonator

(Ayy) Crazy girl shit, gonna go Spring Breakers

(Every, every, every)

(Ayy) Every time, I make it so outrageous

(Ayy) Always gonna lose to people playin’ it safer

(Ayy) Four, three, two, one, see you later

(Ayy) Crazy girl shit, gonna go Spring Breakers

(Ayy) Gonna, gonna, gonna, gonna

(Ayy) Gonna go Spring Breakers

(Ayy) Gonna, gonna, gonna, gonna

(Ayy) Gonna go Spring Breakers

On the flip side, I could talk real, real nice

Maybe if you give me that prize

You might see a tear from my eye

Might change my whole damn life

I-I-I’d maybe thank God on the stage

Yeah, I swear I’d be so nice

No, I’d never misbehave

And I’d do my speech on time, maybe somethin’ just like

(Ayy) Hi, it’s me, you’re all in danger

(Ayy) Never get invited ’cause I’m such a hater

(Ayy) Got my finger on the detonator

(Ayy) Crazy girl shit, gonna go Spring Breakers

(Every, every, every)

(Ayy) Every time, I make it so outrageous

(Ayy) Always gonna lose to people playin’ it safer

(Ayy) Four, three, two, one, see you later

(Ayy) Crazy girl shit, gonna go Spring Breakers

(Ayy) Gonna, gonna, gonna, gonna

(Ayy) Gonna go Spring Breakers

(Ayy) Gonna, gonna, gonna, gonna

(Ayy) Gonna go Spring Breakers

Unleashing Chaos: Embracing the ‘Spring Breakers’ Attitude

In “Spring Breakers,” Charli XCX channels a wild, unapologetic energy, blending rebellion and tongue-in-cheek humor. The lyrics paint a vivid picture of someone who thrives on chaos and stands apart from the safe, predictable crowd. With lines like “Got my finger on the detonator” and “Crazy girl shit, gonna go Spring Breakers,” Charli explores the thrill of going against the grain, embracing notoriety, and pushing boundaries. The narrative is peppered with pop culture references, wild escapades, and satirical nods to the price of nonconformity. The closing verse hints at an alternate reality—one where the narrator plays by the rules—but ultimately, the anarchic spirit wins out. Charli XCX’s delivery is both playful and defiant, inviting listeners to revel in the messy, exhilarating side of life.

Song Credits

• Artist: Charli XCX
• Release Year: 2024

They-they-they all wanna sound like me

All wanna be like Lean

Dress so fresh and so clean

Rock with the diamonds on the sleeve

Breathing in the Stockholm breeze

Get with Robyn on the beat, uh

Aye, get with Robyn on the beat (Sweet)

Cameras flashing, hit the scene

With Robyn and Charli, pull up to the party

Three white lines, split the lime and the Barcardi

Icons in the flesh, you’re just a demon at a party

Mayor of my town, David Beckham in the noughties

Yeah, I hear it calling

Pick it up, darling, London calling

When I go prancing, yeah, I go all in

Hey, why you do it so cold?

I’m the realest ever, yeah, that’s what I’ve been told

Killin’ this shit since 1994

Got everybody in the club dancing on their own

I got that supersonic, push up on it

Right in your ear

I got that supersonic, starship, comet

Right over here

I’m in my Elvis moment, push up on it

Right over there

I got that supersonic, push up on it

Right in your ear

(We got that) Mansion, castle

(Got that) Pets, family

(Got that) Drinks, action

(We got that) Lights, camera, action

Got that really very special language, no one understands it

Three child stars out here doing damage

Me and Lean and Robyn, we don’t even have to practice

We got many hits, get you feeling nostalgic

I started so young, I didn’t even have email

Now my lyrics on your booby

Baby on my arm

Your favorite pop star is into me, Yung Lean, and Charli

Know you wanna dream like Lean, wanna be like Lean

But it’s not as easy as it seems

Who do I trust? Me

We put this shit together so carelessly

Hey, why you do it so cold?

They say I’m the realest ever, yeah

That’s what I’ve been told

Killin’ this shit since 1994

We do this one night, yeah, we do it for our lives

‘Cause we got that supersonic, push up on it

Right in your ear

I got that supersonic, starship, comet

Right over here

Yeah

I’m in my Elvis moment, push up on it

Right over there

I got that supersonic, push up on it

Right in your ear, let’s go

(We got that, yeah, yeah) Mansion, castle

(Got that) Pets, family

(Got that) Drinks, action

(We got that) Lights, camera, action

(Got that, yeah, yeah) Mansion, castle

(Got that) Pets, family

(Got that) Drinks, action

(We got that) Lights, camera, action

Iconic Energy and Star Power

“360” brings together Charli XCX, Robyn, and Yung Lean for a high-energy collaboration that radiates confidence and pop culture savvy. The lyrics celebrate individuality and status, with each artist referencing their own journey and influence. Charli and her collaborators playfully boast about their unique style, global appeal, and the effortless way they command attention at any party. The song’s references to nostalgia, fame, and luxury set a glamorous, carefree tone, while clever wordplay and nods to musical history (“dancing on their own,” “Elvis moment”) highlight their lasting impact.

A Celebration of Uniqueness

The track is layered with themes of self-assurance and the pressures of being in the spotlight. Lines about “special language” and “three child stars out here doing damage” reinforce their one-of-a-kind chemistry. Ultimately, “360” is a playful yet powerful anthem for being unapologetically yourself and celebrating the journey to pop stardom with friends who truly understand.

Song Credits

• Artist: Charli XCX featuring Robyn & Yung Lean
• Songwriters: Charli XCX, Robyn, Yung Lean
• Release Year: 2024

[Charli XCX:]

Bumpin’ that, bumpin’ that, bumpin’ that, bumpin’ that

Bumpin’ that, bumpin’ that, bumpin’ that, bumpin’ that

Bumpin’ that, bumpin’ that, bumpin’ that, bumpin’ that

Bumpin’ that, bumpin’ that, bumpin’ that, bumpin’ that

Bumpin’ that, bumpin’ that, bumpin’ that, bumpin’ that

When I go to the club, I wanna hear those classics

When I go to the club, I wanna hear those club classics (Like-like, it’s-it’s like, it’s like)

When I go to the club, I wanna hear those classics (When I go to the club-club)

When I go to the club, I wanna hear those club classics (It’s-it’s like, it’s like)

When I’m in the club, yeah I’m (Bumpin’ that)

When I’m at the house, yeah I’m (Bumpin’ that)

365, party girl (Bumpin’ that)

Should we do a little key? Should we have a little line?

When I club, yeah I’m (Bumpin’ that)

When I’m at the house, yeah I’m (Bumpin’ that)

365, party girl (Bumpin’ that)

365, party girl (Bumpin’ that)

[Charli XCX {Bb trickz}:]

Push my hair back, back, back, back, back, back, back, when I’m (Bumpin’ that)

Gonna jump when it drops, back, back, back, back, back, when I’m (Bumpin’ that)

Push my hair back, back, back, back, back, back, back, when I’m (Bumpin’ that)

{Mueve como jelly, como jelly; mueve como jelly, como jelly}

Gonna jump when it drops, back, back, back, back, back, when I’m (Bumpin’ that)

{Mueve como jelly, como jelly; mueve como jelly, como jelly}

[Bb trickz:]

Bb XCX es un clásico automático

Brr-brr, fashion killer, aunque el outfit sea básico (Ja)

Yo soy una Bratz aunque no tenga na’ de plástico (Mm, muah)

Bounce like that (That), tu novio es fantástico

Sigo siendo una princesa aunque pasee por el hood

Te daría una cita, pero no estoy en el mood (Ja)

Baddie en el club, BRAT en el club (Prr, prr)

En el club, huh, ‘toy sonando en loop (Ah)

En el club (Club, club), en el club

‘Toy sonando en loop, BRA-BRAT en el club

Ese culo se mueve como jelly (Como jelly)

Mueve como jelly, se-se mueve como jelly

Como jelly, como jelly

Se mueve como jelly, como jelly

Se mueve como jelly, se mueve como jelly

Como jelly, como jelly

Se mueve como jelly, jelly-jelly-jelly

Vámonos a casa ya, jo

[Charli XCX:]

No, I never go home, don’t sleep, don’t

When I go to the club, I wanna hear those classics

When I go to the club, I wanna hear those club classics (Like-like, it’s-it’s like, it’s like)

When I go to the club, I wanna hear those classics (When I go to the club-club)

When I go to the club, I wanna hear those club classics (It’s-it’s like, it’s like)

365, bumpin’ that, bumpin’ that

365, bumpin’ that, bumpin’ that

365, bumpin’ that, bumpin’ that

Who the fuck are you? I’m a brat

365, bumpin’ that, bumpin’ that

365, bumpin’ that, bumpin’ that

365, bumpin’ that, bumpin’ that

Who the fuck are you? I’m a brat

Who the fuck are you? I’m a brat when I’m bumpin’ that

Who the fuck are you? I’m a brat when I’m bumpin’ that

Who the fuck are you? I’m a brat when I’m bumpin’ that

Who the fuck are you? I’m a brat when I’m bumpin’ that

Celebrating the Energy of the Club

“Club classics” by Charli XCX featuring bb trickz is a high-octane tribute to the timeless allure of dance floors and the anthems that define them. Charli XCX’s repetitive mantra of “bumpin’ that” immediately sets a hypnotic, relentless pace, capturing the feeling of losing oneself to music in the club. The chorus’s desire to hear “those classics” speaks to the nostalgia and unity that iconic tracks bring to a party. The verses blend English and Spanish, with bb trickz infusing the track with swagger and cultural flair, likening themselves to a “Bratz” doll and celebrating individuality. References to never going home and being a “party girl 365” highlight the escapist, carefree ethos that club culture offers to its devoted followers.

Song Credits

• Artists: Charli XCX featuring bb trickz
• Songwriters: Charlotte Aitchison (Charli XCX), bb trickz
• Release Year: 2024
• Label: Atlantic Records

[Charli XCX:]

I-I-I-it’s a knife when you know they’re waitin’ for you to choke

It’s a knife when a journalist does a misquote

It’s a knife when a friend is suddenly steppin’ on your throat

It’s a kni-i-ife when they say that you’ve been doing things you don’t-don’t-don’t

It’s a knife when your old friends hate your new friends

When somebody says, “Charli, I think you’ve totally changed.”

It’s a knife when somebody says they like the old me and not the new me

And I’m like, “Who the fuck is she?”

‘Cause it’s a knife when you’re finally on top

‘Cause logically the next step is they wanna see you fall to the bottom

It’s a knife when you’re finally on top (On top)

‘Cause logically the next step is they wanna see you fall-fall-fall

I-I-I-it’s a knife when, it’s a knife when, it’s a knife when (When, when, when)

All this sympathy is just a knife when (When, when, when)

It’s a knife when, it’s a knife when (When, when, when)

All this sympathy is just a—

[Ariana Grande:]

It’s a knife when you know they’re counting on your mistakes

It’s a knife when you’re so pretty, they think you must be fake (Mm)

It’s a knife when they dissect your body on the front page (Mm, ooh)

It’s a knife when they won’t believe you. Why should you explain? (Yeah)

It’s a knife when the mean fans hate the nice fans

When somebody says, “Ari, I think you’ve totally changed.” (No shit)

(It’s a knife) When somebody says they like the old me and not the new me

And I’m like, “Ha-ha, who the fuck is she?”

[Charli XCX & Ariana Grande (Ariana Grande):]

‘Cause it’s a knife when you’re finally on top (On top)

‘Cause logically the next step is they wanna see you fall to the bottom

It’s a knife when you’re finally on top (On top, ooh)

‘Cause logically the next step is they wanna see you fall-fall-fall

[Charli XCX (Ariana Grande):]

I-I-It’s a knife when (It’s a knife when)

It’s a knife when (It’s a knife when)

It’s a knife when (When, when, when)

All this sympathy is just a knife when (It’s a knife when)

It’s a knife when (It’s a knife when)

It’s a knife when (A knife)

All this sympathy is just a kn—

(All this sympathy is just a knife)

All this expectation is a knife

(All this sympathy is just a knife)

All the things I’ve said are just a knife

(All this sympathy is just a knife)

All this expectation is a knife (Mm-mm)

(All this sympathy is just a knife)

Yeah, mm

(All this sympathy is just a knife)

All this expectation is a knife (Mm, yeah, mm-mm)

(All this sympathy is just a knife)

All the things I’ve said are just a knife (Mm, yeah, mm-mm)

(All this sympathy is just a knife)

All this expectation is a knife-knife-knife-knife-knife (Mm, yeah, mm-mm)

Unpacking the Emotional Blades: Lyric Analysis

“Sympathy is a knife” by Charli XCX featuring Ariana Grande is a razor-sharp exploration of the darker side of fame, friendship, and vulnerability. Both artists dissect the feeling of being scrutinized and misunderstood, using the metaphor of a knife to capture how sympathy and expectations can cut deep. Charli XCX and Ariana Grande mirror each other’s verses, highlighting shared experiences of betrayal, public judgment, and changing identities. The repeated refrain emphasizes how support can sometimes feel more like a weapon than comfort, especially when success is met with skepticism or resentment. The song’s candid delivery and biting lyrics create a powerful sense of solidarity between the two pop icons, making it a resonant anthem for anyone who’s felt the sting of public perception or personal change.

Song Credits

• Artists: Charli XCX featuring Ariana Grande
• Release Year: 2024

I could say something smart

But might say something stupid

(Talk to myself in the mirror)

I get so cold (So cold)

I don’t know if I belong here anymore

Rot in your house and it’s high

Put in your skin into anything

I eat a lot like a fly

I get nervous, some sip the wine

Don’t worry, it’s pretty common

It happens to lots of guys

Medicine makes me a problem

“I’m famous, but I’m not quite.”

Rot in my house in LA

Thinkin’ of givin’ up everything

Now I’m watchin’ what I say

These interviews are so serious

My friends that do this before yeah

It happens to lots of guys

Medicine makes him a problem

“I’m famous, but I’m not quite.”

Reflections on Vulnerability and Fame

“I might say something stupid” by Charli XCX, featuring The 1975 and Jon Hopkins, delves into the complexities of self-perception, anxiety, and navigating the pressures of fame. The lyrics capture moments of self-doubt and introspection, as Charli XCX contemplates her place in the world and the impact of public scrutiny. Lines like “I could say something smart / But might say something stupid” reveal an internal tug-of-war between confidence and fear of judgment.

The Weight of Expectations

The song further explores the isolating effects of fame, with references to feeling out of place and the numbing routine of interviews and public appearances. The recurring motif of medicine and nervousness hints at the struggles faced behind the scenes, making the track deeply relatable for anyone who has felt pressure to meet external expectations. The collaboration with The 1975 and Jon Hopkins adds emotional depth and sonic texture, heightening the song’s introspective mood.

Song Credits

Artist: Charli XCX
Featured Artists: The 1975, Jon Hopkins
Songwriters: Charli XCX, Matty Healy, George Daniel, Jon Hopkins
Release Year: 2024

Talk to me

Troye, baby

Hay una fiesta en mi casa, vengan

Será muy divertido

Are we getting too close?

You’re leaving things in my head

I’ll be honest, you scare me

My life’s supposed to be a party

(Do you ever think about me?)

‘Cause we talk that talk, and we talk all night

And the more I know you, the more I like you

Can you stick with me? Maybe just for life?

And say what’s on your mind? My baby

Talk to me in French, talk to me in Spanish

Talk to me in your own made-up language

Doesn’t matter if I understand it (My baby)

Talk right in my ear (Yeah, yeah)

Tell me your secrets and fears (Yeah, yeah)

Once you talk to me, I’ll talk to you

And say, “Hey, can we go back to my place?”

‘Kay, here’s the plan

I wanna fly you out to Amsterdam

I got a good hotel to fuck you in, I wanna—

Boy, come see me

We could pop our shit to Charli

In the med your arms around me

Talk to me in French, French, French, French

Talk-talk-talk-talk-talk-talk to me in Spanish, Spanish, Spanish, Spanish

Talk-talk-talk-talk to me in French, French, French, French

Talk-talk-talk-talk-talk-talk to me in Spanish, Spanish

Shall we go back to my place?

You’re thinkin’ ’bout me (Thinkin’ ’bout me)

No, don’t pretend that you aren’t (You aren’t)

We’re still obsessed like we just met (Just met)

And when you fuck me, it’s crazy (Crazy)

You’re thinkin’ ’bout me

‘Cause we talk that talk, and we talk all night

And the more I know you, the more I like you

Can you stick with me? Maybe just for life?

And say what’s on your mind? My baby

Talk to me in French, talk to me in Spanish

Talk to me in your own made-up language

Doesn’t matter if I understand it

Talk right in my ear

Tell me your secrets and fears

Once you talk to me, I’ll talk to you

And say, “Hey, shall we go back to my place?”

‘Kay, here’s the plan

I wanna fly you out to Amsterdam

I got a good hotel to fuck you in, I wanna—

Boy, come see me

We could pop our shit to Charli

In the med your arms around me

Shall we go back to my—

Talk to me in French, French, French, French

Talk-talk-talk-talk-talk-talk to me in Spanish, Spanish, Spanish, Spanish

Talk-talk-talk-talk to me in French, French, French, French

Talk-talk-talk-talk-talk-talk to me in Spanish, Spanish

Shall we go back to my place?

J’ai perdu mon téléphone mais tu sais quoi?

Ça valait la peine parce que c’était une soirée de fou

Yeah, last night was crazy

Let’s do it again

Shall we go back to my place?

Intimate Conversations and Late-Night Connections

“Talk Talk,” featuring Troye Sivan, captures the electric thrill of falling for someone through deep, unfiltered conversations. Charli XCX and Troye Sivan play with the idea of language as intimacy, inviting each other to express feelings in French, Spanish, or even a private made-up language. The song’s lyrics paint vivid scenes of late-night parties and after-hours confessions, highlighting the importance of genuine connection in a world full of fleeting encounters.

Unfiltered Vulnerability and Desire

The playful back-and-forth between Charli and Troye underscores a mutual curiosity and vulnerability. Lines about sharing secrets, discussing fears, and fantasizing about spontaneous adventures (like flying to Amsterdam) reinforce the theme of letting guards down. The repeated invitation to “go back to my place” isn’t just about romance—it’s about seeking a safe space where true selves can be revealed, making “Talk Talk” both seductive and sincere.

Song Credits

Artist: Charli XCX feat. Troye Sivan
Songwriters: Charlotte Aitchison (Charli XCX), Troye Sivan
Release Year: 2024
Label: Atlantic Records

Sometimes, I just wanna rewind

Sometimes (Sometimes, sometimes), I just wanna rewind

I’d go back in time to when I wasn’t insecure

To when I didn’t over analyze my face shape

Nowadays I only eat at the good restaurants

But honestly I’m always thinking ’bout my weight

I used to never feel embarrassed

Feel embarrassed when I call up the paparazzi

Everyone else does it constantly

I hate these doubts that keep running through my mind

Sometimes I really think it would be cool to rewind

Sometimes, I just wanna rewind

Sometimes (Sometimes, sometimes), I just wanna rewind

Used to burn CDs full of songs I didn’t know

Used to sit in my bedroom putting polish on my toes

Recently, I’ve been thinking ’bout a way simpler time

Sometimes I really think it would be cool to rewind

I used to never think about Billboard

But now I’ve started thinking again

Wondering ’bout whether I think I deserve commercial success

It’s running through my mind

Sometimes I really think it would be cool to rewind

Sometimes, I just wanna rewind

Sometimes (Sometimes, sometimes), I just wanna rewind

Sometimes-

Ti-

Sometimes, I just wanna rewind

Wanna turn back time

To a different time, oh

Sometimes

I just wanna rewind

I just wanna rewind

I just wanna rewind

Press rewind, yeah

Yeah, press rewind, yeah

Bring the beat back

Press rewind, yeah

Yeah, press rewind

Nostalgia and Vulnerability: A Look into ‘Rewind’

Charli XCX’s “Rewind” taps into the universal longing to revisit simpler times. Through nostalgic references—like burning CDs and carefree self-expression—Charli contrasts her past innocence with the anxieties of her present. The lyrics reveal a struggle with self-image and the pressures of success, as she candidly mentions over-analyzing her looks and obsessing over commercial achievement. The song’s refrain, “Sometimes, I just wanna rewind,” resonates as a heartfelt wish to escape self-doubt and societal scrutiny. Ultimately, “Rewind” captures the bittersweet beauty of reflecting on youth, blending vulnerability with Charli’s signature pop energy.

Song Credits

• Artist: Charli XCX
• Release Year: 2024

Always on my mind

Every day, every night

Your star burns so bright

Why did I push you away?

I was scared sometimes

You had a power like a lightning strike

When I’m on stage sometimes I lie

Say that I love singing these songs you left behind

And I know you always said, “It’s okay to cry”

So I know I can cry, I can cry

So I cry

Wish I’d tried to pull you closer

You pushed me hard made me focus

Your words, brutal, loving, truthful

I was petrified

You’re a hero and a human

Track was done I’d make excuses

You’d say, “Come on, stay for dinner”

I’d say, “No, I’m fine”

Now I really wish I’d stayed

Always on my mind

Every day, every night

Your star burns so bright

Why did I push you away?

I was scared sometimes

You had a power like a lightning strike

When I’m on stage sometimes I lie

Say that I love singing these songs you left behind

And I know you always said, “It’s okay to cry”

So I know I can cry, I can cry

So I cry

Guilty feelings keep me fractured

Got a phone call after Christmas

Didn’t know how I should act

I watched you dance online

Your sounds, your words live on endless

When I make songs I remember

Things you’d suggest – “Make it faster!”

Would you like this one?

Maybe just a little bit

Always on my mind

Every day, every night

Your star burns so bright

Why did I push you away?

I was scared sometimes

You had a power like a lightning strike

When I’m on stage sometimes I lie

Say that I love singing these songs you left behind

And I know you always said, “It’s okay to cry”

So I know I can cry, I can cry

So I cry

Loss, Memory, and Healing in “So I”

Charli XCX’s “So I” is a deeply personal and heartfelt ballad that explores the enduring impact of loss and the complexity of memory. The lyrics reflect on a close relationship with someone whose influence lingers long after their absence. The recurring lines about a star burning bright and the honest admissions of guilt and regret reveal the songwriter’s struggle with past decisions and unspoken emotions. The song’s chorus, anchored by the permission to “cry,” uncovers a journey toward emotional acceptance and healing. Through vivid imagery and confessional storytelling, Charli XCX captures the bittersweet experience of looking back, wishing for more time, and learning to let grief become a source of strength.

Song Credits

• Artist: Charli XCX
• Release Year: 2024

Girl, it’s so confusing sometimes to be a girl

Girl, it’s so confusing sometimes to be a girl

Girl, how do you feel being a girl?

How do you feel being a girl?

Man, I don’t know, I’m just a girl

Yeah, I don’t know if you like me

Sometimes I think you might hate me

Sometimes I think I might hate you

Maybe you just wanna be me

You always say, “Let’s go out!”

So we go eat at a restaurant

Sometimes it feels a bit awkward

Coz we don’t have much in common

People say we’re alike

They say we’ve got the same hair

We talk about making music

But I don’t know if it’s honest

Can’t tell if you wanna see me

Falling over and failing

And you can’t tell what you’re feeling

I think I know how you feel

Girl, it’s so confusing sometimes to be a girl

Girl, it’s so confusing sometimes to be a girl

Girl, how do you feel being a girl?

How do you feel being a girl?

Man, I don’t know, I’m just a girl

You’re all about writing poems

But I’m about throwing parties

Think you should come to my party

And put your hands up

I think we’re totally different

But opposites do attract

Maybe we’re so meant to be

Just you and me

Coz people say we’re alike

They say we’ve got the same hair

One day we might make some music

The Internet would go crazy

But you might still wanna see me

Falling over and failing

At least we’re closer to being

On the same page

Girl, it’s so confusing sometimes to be a girl

Girl, it’s so confusing sometimes to be a girl

Girl, how do you feel being a girl?

How do you feel being a girl?

Man, I don’t know, I’m just a girl

The Complexity of Female Friendship

“Girl, So Confusing” by Charli XCX delves into the nuanced and sometimes contradictory world of female friendship. The song captures the uncertainty and mixed emotions that can come with close relationships—admiration, jealousy, misunderstanding, and a longing to connect. Charli’s introspective lyrics explore how similarities and differences can be both bonding and alienating, revealing the tension between wanting to belong and the pressure to stand out. Through candid admissions and relatable scenarios, she highlights how friendships, especially among women, can be layered with insecurity and unspoken competition, but also potential for genuine understanding.

Song Credits

• Artist: Charli XCX
• Songwriters: Charlotte Aitchison (Charli XCX)
• Release Year: 2024
• Label: Atlantic Records

I guess the apple don’t fall far from the tree

‘Cause I’ve been looking at you so long now I only see me

I wanna throw the apple into the sky

Feels like you never understand me so I just want to drive

To the airport

The airport

The airport

The airport

I guess the apple could turn yellow or green

I know there’s lots of different nuances to you and to me

I wanna grow the apple, keep all the seeds

But I can’t help but get so angry you don’t listen, I leave

To the airport

The airport

The airport

The airport

The airport

The airport

The airport

The airport

I’m gonna drive, gonna drive all night

I’m gonna drive, gonna drive all night

I think the apple’s rotten right to the core

From all the things passed down from all the apples coming before

I split the apple down symmetrical lines

And what I find is kind of scary, makes me just want to drive

I wanna know where you go when you’re feeling alone

When you’re feeling alone, do you?

I wanna know where you go when you’re feeling alone

When you’re feeling alone, do you?

Unpacking the Symbolism of ‘Apple’

Charli XCX’s ‘Apple’ is a reflective exploration of identity, family legacy, and emotional distance. The recurring apple metaphor captures the inescapable influence of our roots—”the apple don’t fall far from the tree”—while also hinting at the tension between wanting to grow independently and feeling tethered to past patterns. The yearning to escape, expressed through the repeated desire to drive to the airport, reflects a need for liberation when communication breaks down. The imagery of splitting the apple and finding something “kind of scary” inside suggests an unsettling discovery about oneself, shaped by inherited experiences. Ultimately, the song asks poignant questions about connection and loneliness, inviting listeners to reflect on their own relationships and inherited traits.

Song Credits

Artist: Charli XCX
Songwriters: Charlotte Aitchison (Charli XCX), others unlisted
Release Year: 2024