The Long One – The Beatles


[You Never Give Me Your Money]

You never give me your money

You only give me your funny paper

And in the middle of negotiations you break down

I never give you my number

I only give my situation

And in the middle of investigation I break down

Out of college, money spent

See no future, pay no rent

All the money’s gone, nowhere to go

Any jobber got the sack

Monday morning, turning back

Yellow lorry slow, nowhere to go

But, oh, that magic feeling

Nowhere to go

Oh, that magic feeling

Nowhere to go

Nowhere to go

Ah ah ah

One sweet dream

Pick up the bags and get in the limousine

Soon we’ll be away from here

Step on the gas and wipe that tear away

One sweet dream came true today

Came true today

Came true today

Yes it did (na, na)

One, two, three, four, five, six, seven

All good children go to heaven

[Sun King]

Here come the Sun King

Here come the Sun King

Everybody’s laughing

Everybody’s happy

Here come the Sun King

Quando paramucho mi amore defelice corazon

Mundo pararazzi mi amore chicka ferdy parasol

Cuesto obrigado tanta mucho cake and eat it carousel

[Mean Mr. Mustard]

Mean Mr. Mustard sleeps in the park

Shaves in the dark, tryin to save paper

Sleeps in a hole in the road

Saving up to buy him some clothes

Keeps a ten bob note up his nose

Such a mean old man

Such a mean old man

His sister Pam works in the shop

She never stops; she’s a go-getter

Takes him out to look at the queen

Only place that he’s ever been

Always shouts out something obscene

Such a dirty old man

Dirty old man

[Polythene Pam]

Well, you should see Polythene Pam

She’s so good-looking, but she looks like a man

Well, you should see her in drag

Dressed in her polythene bag

Yes, you should see Polythene Pam

Yeah, yeah, yeah

Get a dose of her in jackboots and kilt

She’s killer-diller when she’s dressed to the hilt

She’s the kind of a girl who makes the News Of The World

Yes, you could say that she’s attractively built

Yeah, yeah, yeah

She’s coming in the house

Oh, look out!

[She Came In Through The Bathroom Window]

She came in through the bathroom window

Protected by a silver spoon

But now she sucks her thumb and wonders

By the banks of her own lagoon

Didn’t anybody tell her?

Didn’t anybody see?

Sunday’s on the phone to Monday

Tuesday’s on the phone to me

She said she’d always been a dancer

She worked at fifteen clubs a day

And though she thought I knew the answer

Well, I knew what I could not say

And so I quit the police department

And got myself a steady job

And though she tried her best to help me

She could steal, but she could not rob

Didn’t anybody tell her?

Didn’t anybody see?

Sunday’s on the phone to Monday

Tuesday’s on the phone to me

Oh, yeah

[Golden Slumbers]

Once there was a way

To get back homeward

Once there was a way to get back home

Sleep, pretty darling; do not cry

And I will sing a lullaby

Golden Slumbers fill your eyes

Smiles awake you when you rise

Sleep pretty darling, do not cry

And I will sing a lullaby

Once there was a way

To get back homeward

Once there was a way to get back home

Sleep, pretty darling; do not cry

And I will sing a lullaby

[Carry That Weight]

Boy, you’re gonna carry that weight

Carry that weight a long time

Boy, you’re gonna carry that weight

Carry that weight a long time

I never give you my pillow

I only send you my invitations

And in the middle of the celebrations

I break down

Boy, you’re gonna carry that weight

Carry that weight a long time

Boy, you’re gonna carry that weight

Carry that weight a long time

[The End]

Oh yeah!

All right!

Are you going to be in my dreams tonight?

Love you, love you, love you, love you, love you, love you

Love you, love you, love you, love you, love you, love you

Love you, love you, love you, love you, love you, love you

Love you, love you, love you, love you, love you, love you

Love you, love you, love you, love you, love you, love you

And, in the end

The love you take

Is equal to the love you make

[Her Majesty]

Her Majesty’s a pretty nice girl

But she doesn’t have a lot to say

Her majesty’s a pretty nice girl

But she changes from day to day

I want to tell her that I love her a lot

But I got to get a bellyful of wine

Her majesty’s a real nice girl

Someday I’m going to make her mine, oh yeah

Someday I’m going to make her mine

The Beatles’ Epic Medley: A Journey Through ‘The Long One’

“The Long One,” the celebrated medley from The Beatles’ Abbey Road, weaves together a patchwork of moods, stories, and musical motifs. This suite, beginning with the yearning of “You Never Give Me Your Money” and ending with the whimsical “Her Majesty,” captures themes of hope, disillusionment, and bittersweet reflection. Each segment—whether it’s the surreal whimsy of “Sun King,” the oddball characters like “Mean Mr. Mustard” and “Polythene Pam,” or the soothing comfort of “Golden Slumbers”—contributes a unique piece to the emotional mosaic. The medley crescendos with “The End,” where the iconic lyric, “And in the end, the love you take is equal to the love you make,” ties together the album’s contemplative spirit, leaving listeners with a sense of closure and optimism.

Song Credits

  • Songwriters: John Lennon, Paul McCartney (except “Golden Slumbers”/”Carry That Weight”/”The End”/”Her Majesty” by Paul McCartney, “Sun King” by Lennon/McCartney)
  • Release Year: 1969
  • Label: Apple Records

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